We Have Always Been Avatars, and Avatars Must Die
Abstract: It’s dangerous to consider the virtual as a brave new world; the virtual has always been with us. But the lure now is the supposition that it engenders the potential of eternity, and escape from pain and death. In the meantime, the physical world is the Disaster of the Anthropocene. We must look, with open eyes, at the obdurate nature of the Real, through any means possible. We must accept our own deaths. I will discuss my work in virtual worlds and performance (with the collaboration of others) in this regard.
Bio: Alan Sondheim was born in Wilkes-Barre, Pennsylvania; he lives with his partner, Azure Carter in Brooklyn NY. A cross-disciplinary artist, writer, and theorist, he has exhibited, performed and lectured widely. In the past year, Sondheim has had a successful residency at Eyebeam Art + TechnologyCenter in New York; while there he worked with a number of collaborators on performances and sound pieces dealing with pain and annihilation. He also created a series of texts and 3d printing models of ‘dead or wounded avatars.’
PAIN TEXT: Dialog between Sandy Baldwin and Alan Sondheim – important
Crisis Text (for UnderAcademy):
CRISIS (for an UnderAcademy College Course)
This course is about crisis, making-do, bricolage, fury, anger, how to face global extinction, how to avoid dead-end despair, how to avoid mental slaughter, how to wonder whether cultural work makes any difference at this point, what to do in the face of evil, and anything else we might want to discuss while avoiding catatonia. Artwork in any medium acceptable, no assignments, continuous readings though, some happy moments of mutual praise, worrying about the future of education, fun thinking about being very very rich. How to eliminate kill/delete and face dis/comfort. Let’s not raise an army. Crisis is singular by the way, like a rococo fold. Think of artworks that fail with a thud; we’re mountain-topping in UnderAcademy and not proud of it at all. <initial description>
1. Is there a crisis? I’m considered to be overly pessimistic in this regard. WIRED magazine takes the tact that all solutions are technological and there’s little need to worry. There are also issues of flora and fauna
extinctions – while this is dynamically the greatest catastrophe in the history of the planet’s ‘natural world,’ there are people who believe that nature’s fecundity will prevail and the world will develop new species.
2. Is there any conceivable spiritual or religious solution here? This might range from armageddon to some sort of spiritual healing to a belief in the very real possibility of peace and humanity turning towards less
and less violence; I believe that Pinker believes this.
3. What’s the position of philosophy in relation to all of this – I believe philosophy, outside of issues of ethics, morality, how to ‘be’ in the world – is useless when it comes to the ‘big’ questions of origin, causality, what constitutes the world, and so forth. I tend to side with cosmologists and the lived or sensory inconceivability of the world.
4. What’s the use of art? Art seems to be a bridge between the sensory and lived world, and its inconceivability. Issues of death and evil are deeply unresolvable. We’re here for the duration. And this is all I have but it tests the machine.